Hollywood: Kate Winslet was angelic at the 82nd annual Golden Globes Ceremony.
The movie star, who is nominated tonight in multiple categories, stepped onto the red carpet at the Beverly Hilton hotel wearing a brilliant white outfit.
Kate Hudson used the event’s star-studded red carpet to offer her own take on the iconic look. She attended the event wearing a diamond necklace that she called “very Titanic.” Reminiscent of Rose Dewitt Bukater’s “la coeur de la mer,” the extravagant piece featured a humongous, sapphire blue stone which was surrounded by dozens of tiny diamonds.
The bespoke Erdem ensemble included a custom suit jacket and matching trousers, both done in cream silk wool. Winslet went without a shirt for an edgier look.
Perhaps in a nod to Winslet’s arguably most famous role—Rose in Titanic—her polished look was accented by a jet-black floral pattern, which saw rose motifs embroidered into the jacket’s top left corner, as well as its bottom right corner and sleeve.
Winslet complemented her gorgeous set with a pair of patent black pumps, matching her sizable black ring encrusted with diamonds. Dangling sapphire earrings rounded out her ensemble.
As for glam, the actor swept her blonde locks into a sleek bun, letting a single, face-framing strand poke out. She kept her makeup simple with a dewy base and rosy lip.
For the 2025 Golden Globes, Winslet has been nominated in the category of Best Performance by a Female Actor in a Motion Picture—Drama for her work in Lee, while also earning a nomination for Best Performance by a Female Actor in a Limited Series, Anthology Series, or a Motion Picture Made for Television for her acting in The Regime.
We’ve always known Winslet has range—as she has melted our hearts in everything from Titanic to The Holiday—but her projects this year truly demonstrated her versatile acting skills.
Speaking on her Golden Globe nomination, the actor added: “It has just filled me with so much joy and gratitude, really, truly, because it does mean that I get to keep talking about [the film], and that hopefully, because of that, more people will see it.
Because with a film like this, all you want is for people to know about it and to see it. I wanted to make it, to tell Lee’s story, to have people maybe discover her for the first time this way, away from the male gaze, lifting her out of that terrible description of her having been the muse, the ex-model, the former cover girl—these sort of terrible infantilizing words—and it’s just great to still be able to talk about her, honestly.”
